A Thurber Carnival

A Thurber Carnival
Peggy Cass, James Thurber and Joan Anderson promoting A Thurber Carnival
Written by	James Thurber
Characters	First Man Second Man Third Man Fourth Man Fifth Man First Woman Second Woman Third Woman Fourth Woman
Date premiered	February 26, 1960
Original language	English
Subject	men and women
Genre	satire, revue

A Thurber Carnival is a revue by James Thurber, adapted by the author from his stories, cartoons and casuals (humorous short pieces), nearly all of which originally appeared in The New Yorker. It was directed by Burgess Meredith. Following a six city tryout, during which Thurber continued to rewrite the show, it premiered on Broadway on February 26, 1960 and ran for 223 performances, with a break from June 25 to September 5. It closed on November 26, 1960. The title is similar to that of The Thurber Carnival (1945), Thurber's most successful collection of stories and drawings.

The nine member cast played roles generically designated as First Man, First Woman, etc., as listed in the published script. Each of these roles included portrayals of numerous characters within the revue's 16 sketches. The opening night cast was as follows:

These were supported by the jazz music of the Don Elliott Quartet (Jack Six, Jimmy Raney, Ronnie Bedford and Don Elliott).

James Thurber played himself in 88 performances, dictating letters in the sketch "File and Forget".

The sketches in Act One of the revue are as follows:

Word Dance (Part 1) is a series of punchlines, delivered during breaks in the music as the characters dance, similar to the "Cocktail Party" sketches that later appeared in the television series Laugh-In. The scene was staged by James Starbuck, with music from the Don Elliott Quartet. The characters were credited only by the generic names (and as "performer" in the Internet Broadway Database). The punchlines were primarily derived from the captions of Thurber cartoons, including "Where did you get those big brown eyes and that tiny mind?" Part 2 of the sketch appears at the end of Act 2.

The Night the Bed Fell consists of First Man sitting at the edge of the stage, telling the story of a particular night from his (Thurber's) childhood, when a collapsing bed provoked remarkable reactions from members of his eccentric extended family. The fictionalized reminiscence first appeared in The New Yorker on July 8, 1933, and was reprinted in the book My Life and Hard Times (1933).