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Aladdin Sane (song)

"Aladdin Sane"
Song by David Bowie from the album Aladdin Sane
Released April 13, 1973
Recorded Trident Studios, London
January 1973
Genre Jazz fusion, art rock, glam rock, avant-garde jazz
Length 5:06
Label RCA
Writer(s) David Bowie
Producer(s) Ken Scott, David Bowie
Aladdin Sane track listing
"Watch That Man"
(1)
"Aladdin Sane"
(2)
"Drive-In Saturday"
(3)

"Aladdin Sane (1913–1938–197?)" is a song by David Bowie, the title track from his 1973 album Aladdin Sane. Described by biographer David Buckley as the album's "pivotal" song, it saw Bowie moving into more experimental musical styles following the success of his breakthrough glam rock release The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972.

The name is a pun on "A Lad Insane" and it was inspired by Bowie's half-brother Terry, who had been diagnosed as a schizophrenic. An early variation was "Love Aladdin Vein", which Bowie dropped partly because of its drug connotations. The dates in parentheses refer to the years preceding World War I and World War II, with the third unknown date reflecting Bowie’s belief in an impending World War III.

The title has been rendered a number of ways on different releases since 1973. The original vinyl issue of Aladdin Sane listed it as "Aladdin Sane (1913-1938-197?)", followed by "RHMS Ellinis", the name of the ship on which it was written, in keeping with Bowie's practice on the album of indicating the origin of each track. The coda includes a quote from the song "On Broadway", and on the compilation album Changestwobowie (1981) it appeared in liner notes as "Aladdin Sane (1913-1938-197?)/On Broadway", co-credit going to Mann, Weil, Leiber and Stoller. On the 1990 Rykodisc CD reissue the track was referred to as simply "Aladdin Sane", but subsequent CD reissues of the album in 1999, 2003 and 2013 restored the "Aladdin Sane (1913-1938-197?)" title.

Bowie wrote "Aladdin Sane" in December 1972 as he sailed back to the UK following the first leg of his US Ziggy Stardust tour. The subject matter was inspired by a book he was reading, Evelyn Waugh’s Vile Bodies (later filmed as Bright Young Things, a phrase that also appears in the song's lyrics). Bowie saw in Waugh's story of "frivolous, decadent and silly" behaviour on the eve of "imminent catastrophe" a reflection of contemporary society, particularly in America. At Bridge School Benefit X in 1996, Bowie played the song acoustically and reflected that the song was "about young people, just before the two wars, wanting to go and screw girls and kill foreigners."


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