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Bang on a Can

Bang on a Can Summer Festival
Genre Experimental music, contemporary classical music
Location(s) Massachusetts Museum of Contemporary Art (MASS MoCA)
Years active 2002-present
Founded by Summer Institute of Music

Bang on a Can is a multi-faceted contemporary classical music organization based in New York City. It was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. Called "the country's most important vehicle for contemporary music" by the San Francisco Chronicle, the organization focuses on the presentation of new concert music, and has presented hundreds of musical events worldwide.

Bang on a Can is perhaps best known for its Marathon Concerts during which an eclectic mix of pieces are performed in succession over the course of many hours while audience members, who are encouraged to maintain a "jeans-and-tee-shirt informality," are welcome to come and go as they please. For the twentieth anniversary of their Marathon Concerts, Bang on a Can presented twenty-six hours of uninterrupted music at the World Financial Center Winter Garden Atrium in New York City.

Among Bang on a Can's early events were performances by John Cage, premieres of Glenn Branca’s epic symphonies for massed electric guitars, and fully staged operas by Harry Partch, featuring the composer's original instruments.

In 2002, Bang on a Can began the yearly Summer Institute of Music, a program at the Massachusetts Museum of Contemporary Art (MASS MoCA) for young composers and performers. This program is sometimes referred to by the nickname "Banglewood" in reference to the nearby, but far more traditional Tanglewood Music Festival.

The three artistic directors occasionally collaborate by jointly composing large staged works, often without revealing which sections each contributed. Examples include:

Bang on a Can has commissioned and premiered pieces by composers including Steve Reich, Terry Riley, Michael Nyman, John Adams, Somei Satoh, Iva Bittová, Roberto Carnevale, Ornette Coleman, Donnacha Dennehy and Bun-Ching Lam. In 1998 the organization began the People's Commissioning Fund, which supports the creation of new musical compositions by pooling contributions from numerous member-commissioners whose donations range from $5 to $5,000.


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