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Beauty Stab

Beauty Stab
Sl beauty.jpg
Studio album by ABC
Released 14 November 1983 (1983-11-14)
Recorded August–September 1983
Studio
Genre
Length 42:58
Label Neutron (UK)
Mercury (US)
Vertigo (Canada and Europe)
Producer
ABC chronology
The Lexicon of Love
(1982)
Beauty Stab
(1983)
How to Be a ... Zillionaire!
(1985)
Singles from Beauty Stab
  1. "That Was Then but This Is Now"
    Released: October 1983
  2. "S.O.S."
    Released: January 1984
Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars
Smash Hits 6/10 stars
Robert Christgau A−

Beauty Stab is the second studio album by English new wave band ABC. It was originally released in November 1983, on the labels Neutron, Mercury and Vertigo. The album was recorded over a period of three months between August and September 1983, in sessions that took place at Sarm Studios East and West, Townhouse Studios and Abbey Road Studios. It was a departure from the stylised production of the band's debut album, The Lexicon of Love and featured a more guitar-oriented sound.

The album was produced by ABC with Gary Langan, who was the audio engineer on the band's first album. The band employed the rhythm section of Andy Newmark (drums) and Alan Spenner (bass guitar) both of whom had recently recorded and toured with Roxy Music at the time. The cover photography was by Gered Mankowitz.

On release, the album was received negatively by the majority of music critics. In a 1995 article, music journalist Simon Reynolds listed Beauty Stab among "the great career-sabotage LPs in pop history". In retrospect, the band members themselves have been quite vocal in that they were less satisfied with the album with founding member Stephen Singleton leaving the band soon after promotion for the album was completed. Martin Fry later stated that "we were eager to go in a totally different direction [to The Lexicon of Love]. We didn't want to do a sequel. In retrospect, perhaps that is exactly what we should have done". The album was certified Gold by the BPI for shipments in excess of 100,000 copies, but was not as commercially successful as its predecessor. It peaked at No. 12 on the UK Albums Chart and spawned only two Top 40 singles (neither of which made the Top 10).


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