Bennie Moten
| Bennie Moten | |
|---|---|
 |
|
| Background information | |
| Birth name | Benjamin |
| Born |
November 13, 1894 Kansas City, Missouri, United States |
| Died | April 2, 1935 (aged 40) Kansas City, Missouri, United States |
| Genres | Jazz, Kansas City jazz, Moten Swing |
| Occupation(s) | Musician, bandleader |
| Instruments | Piano |
| Labels | Victor Records, OKeh Records, Bluebird Records, HMV Records, RCA |
| Associated acts | Count Basie, Walter Page, Oklahoma City Blue Devils, Eddie Durham, Hot Lips Page, |
Bennie Moten (November 13, 1894 – April 2, 1935) was an American jazz pianist and band leader born in Kansas City, Missouri.
He led the Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands.
His first recordings were made (for OKeh Records) in 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat that the band was famous for. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era and continue to be treasured records in many serious jazz collections.
They signed with Victor Records in 1926, and were influenced by the more sophisticated style of Fletcher Henderson, but more often than not featured a hard stomp beat that was extremely popular in Kansas City. Moten remained one of Victor's most popular orchestras through 1930. The song Kansas City Shuffle was recorded during this time. (The band recorded prolifically and many of their records were issued in Victor's regular series, therefore not specifically marketed to the Black community.)
By 1928 Moten's piano was showing some boogie woogie influences, but the real revolution came in 1929 when he recruited Count Basie, Walter Page and Oran 'Hot Lips' Page. Walter Page's walking bass lines gave the music an entirely new feel compared to the 2/4 tuba of his predecessor Vernon Page, coloured by Basie's understated, syncopated piano fills. Another boon to the band was adding Jimmy Rushing as their primary vocalist.
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