Epitaph Records
| Epitaph Records | |
|---|---|
 |
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| Founded | 1980 |
| Founder | Brett Gurewitz |
| Distributor(s) | ADA (US), PIAS (UK) |
| Genre | Punk rock, pop punk, hardcore punk, alternative rock, metalcore |
| Country of origin | United States |
| Location | Hollywood, California |
| Official website | epitaph |
Epitaph Records is a Hollywood-based independent record label owned by Bad Religion guitarist Brett Gurewitz. The label was originally "just a logo and a P.O. box" created in the 1980s for the purpose of selling Bad Religion records, but has evolved into a large independent record label. Gurewitz took the name from a King Crimson song of the same name. Throughout the 1980s and 1990s most of the bands on Epitaph were punk and pop punk groups, while there are many post-hardcore and emo bands signed to the label as well. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister-labels also exist, such as ANTI-, Burning Heart Records, Fat Possum Records, Hellcat Records and Heart & Skull Records that have signed other types of bands.
Brett Gurewitz formed Epitaph Records as a vehicle for releases by his band Bad Religion. Its first release for the label was Bad Religion's 1981 self-titled EP, followed by their debut How Could Hell Be Any Worse?, which was also the label's first full-length release. Also released during this period was Peace thru Vandalism, an EP by The Vandals, who were the first band besides Bad Religion to sign to Epitaph. Two more Bad Religion releases followed – Into the Unknown and the EP Back to the Known – before their temporary split. After Gurewitz had cleaned up his drug issues, both Epitaph and Bad Religion were revived in 1987. In the following year, Epitaph released its first record as a proper label, which was L7's self-titled album, and it was distributed by Chameleon. Also in 1988, Bad Religion released Suffer, which was both released and distributed by Epitaph. Not only is Suffer often cited as one of the band's best by fans, but it is credited with "saving" the Southern California punk rock scene by fans and Bad Religion's contemporaries alike.
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