Greatest Hits (comics)
| Greatest Hits | |
|---|---|
Cover to Greatest Hits #1 (November 2008). Art by Glenn Fabry.
|
|
| Publication information | |
| Publisher | Vertigo |
| Schedule | Monthly |
| Format | Limited series |
| Genre | |
| Publication date | November 2008 – April 2009 |
| Number of issues | 6 |
| Main character(s) | Solicitor Crusader Vizier Zipper Golem |
| Creative team | |
| Writer(s) | David Tischman |
| Artist(s) | Glenn Fabry |
| Letterer(s) | Todd Klein |
| Colorist(s) |
Richard Horie Tanya Horie |
| Creator(s) |
David Tischman Glenn Fabry |
| Editor(s) | Shelly Bond |
Greatest Hits is a six-issue comic book limited series, published in 2008 by DC Comics as a part of the Vertigo imprint. The series was written by David Tischman, with art by Glenn Fabry.
The series focuses on The Mates, a super-powered foursome from The Sixties, in the first superhero series from Vertigo since Grant Morrison's The Invisibles.
The series ran for six issues dated November 2008 to April 2009.
The main character team are The Mates. While there are parallels with The Beatles and each character is a pastiche of a superhero, Tischman insisted the concept was much broader than that: "The persona of the Mates is an iconic one for both superhero teams and rock bands. You are always going to have the really cute one. You are going to have the quiet one. You are going to have the spiritual one and you are going to have the goofy one. That’s the case from every group from Justice League to 'N Sync"
The story is told through Come Together, a Behind the Music-like documentary looking back on the team directed by Nick Mansfield, the son of one of The Mates. It then relates the history of the fictional universe's through the decades, each one bringing their own types of superhero.
Martijn Form reviewed the first issue for Comics Bulletin and was not impressed: "the story's whole setup disappoints me." He also found the dialogue "mediocre" and the plotting "forced". However, Kris Bather at Broken Frontier felt that, while there was a lot going on, it still works well, with hints of Warren Ellis's superhero work (in particular his series No Hero) and the art worked well with parallels to Steve Dillon's work.Comic Book Resources' Timothy Callahan was somewhere in between. He liked Fabry's cleaner line work suggesting "he's just about the perfect guy for this particular job" and while he didn't struggle as much with the plot jumping about in time he felt the part in the present was not as engaging or interesting as The Mates during the Sixties, although even this fell into a predictable pattern: "Okay, it's the Beatles as superheroes, but then what?".
...
Wikipedia