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In Memory of Elizabeth Reed

"In Memory of Elizabeth Reed"
Song by The Allman Brothers Band from the album Idlewild South (Studio)
At Fillmore East (Live)
Released September 23, 1970 (Studio)
July 1971 (Live)
Recorded February–July 1970 (Studio)
March 12–March 13, 1971, Fillmore East, New York City (Live)
Genre Jazz fusion, instrumental rock, jam rock
Length 6:54 (Studio)
13:04 (Live)
Label Capricorn Records
Writer(s) Dickey Betts
Producer(s) Tom Dowd
Idlewild South (Studio)
At Fillmore East (Live)
track listing
"Hot' Lanta"
(5)
"In Memory of Elizabeth Reed"
(6)
"Whipping Post"
(7)

"In Memory of Elizabeth Reed" is a song by the American group the Allman Brothers Band. It first appeared on their second studio album, Idlewild South (1970), released on Capricorn Records. The song—a jazz-influenced instrumental—was written by guitarist Dickey Betts, among his first songwriting credits for the group. Betts named the song after a headstone he saw in Rose Hill Cemetery in the band's hometown of Macon, Georgia. Multiple versions of the song have been recorded, with the version performed on the group's 1971 live album At Fillmore East generally considered the definitive rendition.

The original studio recording of "In Memory of Elizabeth Reed" is the fourth track on the group's 1970 album Idlewild South. Composed by Dickey Betts, it is the first instrumental written by a band member, and the first of several that Betts would write and become known for. The original Rolling Stone review of Idlewild South said the song "just goes and goes for a stupendous, and unnoticed, seven minutes."

"In Memory of Elizabeth Reed" was inspired by a woman Betts was involved with in the group's hometown of Macon, Georgia. She was the girlfriend of musician Boz Scaggs, with Betts later saying she "was Hispanic and somewhat dark and mysterious—and she really used it to her advantage and played it to the hilt." To cloak her identity, the song is named after a headstone Betts saw at the Rose Hill Cemetery, where band members often ventured in their early days to relax and write songs. Considerable legend developed about the song's genesis and what Betts was doing at the time, much of it fueled by a put-on interview band leader Duane Allman gave Rolling Stone. "Duane told some crazy shit about that graveyard. I don’t wanna tell all—but that's the part that matters," Betts later said. For his part, vocalist Gregg Allman was candid about his experiences in the cemetery: "I’d be lying if I said I didn't have my way with a lady or two down there." The cemetery was later memorialized by the band as the final resting spot of both Duane Allman and bassist Berry Oakley.


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Wikipedia

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