John Hilliard (artist)

John Hilliard, (born 1945) is an English conceptual artist. Hilliard's ongoing body of work addresses the specificity of photography as a medium: its uncertainty as a representational device and its status within the visual arts, especially in relation to painting, cinema and commercial photography.

Born in Lancaster, Hilliard studied at Lancaster College of Art from 1962 to 1964, and then at Saint Martin's School of Art, London, until 1967. He began his interest in photography as an art student in the 1960s, first using the camera simply to capture images of his site-specific art installations. Soon, he recognised there was bias inherent in photography—the camera could not be completely neutral—and he explored the manipulation of the photographic process and its results.

In the 1970s, Hilliard examined how changes to the process of black and white photography could affect the outcome. His art showed how the camera's notional objectivity was vulnerable to decisions made by the photographer leading up to the instant of the exposure, as well as subsequent decisions made in the darkroom concerning paper selection and development techniques.

Hilliard's 1971 work, Camera Recording Its Own Condition consisted of a display of 70 snapshots taken by a camera aimed at a mirror, showing itself at the moment of exposure, the snapshots differing by film speed, exposure time, and aperture size. The 70 images were laid out in a rigid grid with one optimal "correct" image in the center. This changing of the mechanics of each shot revealed the intention of the unseen photographer. In 1974, Hilliard showed in Cause of Death four images of the same human body covered in a sheet. The images were taken from the same photographic negative but each one suggested a different cause of death, accomplished by cropping the print to modify context. Each image was given its own one-word title to indicate a narrative: "Crushed", "Drowned", "Burned", and "Fell". Photographer Chris Steele-Perkins wrote that, in Cause of Death, "framing affects the way a photograph is read", and that Hilliard provides the viewer with "elegant forensic evidence that, although the camera cannot lie, photographs tell different truths."University of Ulster photography professor Terence Wright noted that Cause of Death is a formalist piece in which the process is revealed, and that many of Hilliard's works fall into this classification.

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