Jules Dalou
| Jules Dalou | |
|---|---|
Jules Dalou in his studio, 1899
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| Born |
Aimé-Jules Dalou 31 December 1838 Paris, France |
| Died | 15 April 1902 (aged 63) Paris, France |
| Nationality | French |
| Education | École nationale supérieure des Beaux-Arts |
| Known for | Sculpture |
| Notable work |
The Triumph of the Republic, 1899 |
| Movement | New Sculpture |
| Awards | Commander of the Légion d'Honneur |
The Triumph of the Republic, 1899
The Triumph of Silenus, 1885
Monument to Eugène Delacroix, 1890
Aimé-Jules Dalou (31 December 1838, in Paris – 15 April 1902, in Paris) was a French sculptor, recognized as one of the most brilliant virtuosos of nineteenth-century France, admired for his perceptiveness, execution, and unpretentious realism.
Born in Paris to a working-class family of Huguenot background, he was raised in an atmosphere of secularity and Republican socialism. He was the pupil of Jean-Baptiste Carpeaux, who sponsored him for the Petite École (future École nationale supérieure des arts décoratifs), where he sympathized with Alphonse Legros and Fantin-Latour. In 1854 he attended the École des Beaux-Arts de Paris in the François-Joseph Duret classroom. He combined the vivacity and richness of Carpeaux, for "he was, technically, one of the most distinguished modellers of his time", with the academic insistence on harmonious outlines and scholarly familiarity with the work of Giambologna, Pierre Puget, Peter Paul Rubens and others.
Dalou first exhibited at the Paris Salon in 1861, but he made no secret of his working-class sympathies. His politics obstructed his career under the Second Empire: he was repeatedly refused the Prix de Rome that opened sculptors' careers to future official commissions. He started to work for decorators, and there met Rodin with which began their friendship. He made a quiet living providing decorative sculpture for the structures that lined Paris's new boulevards and providing wax models for jewelry. He married Irma Vuillier, a partnership that sustained him throughout his life; they had one daughter, Georgette, who was mentally handicapped and required constant care. Dalou's Daphnis and Chloe shown at the Paris salon of 1869, was purchased by the State.
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