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Kaddish (Symphony)


Kaddish is Leonard Bernstein's third symphony. The 1963 symphony is a dramatic work written for a large orchestra, a full choir, a boys' choir, a soprano soloist and a narrator. The name of the piece, Kaddish, refers to the Jewish prayer that is chanted at every synagogue service for the dead but never mentions "death."

The symphony is dedicated to the memory of John F. Kennedy who was assassinated on November 22, 1963, just weeks before the first performance of the symphony. Leonard Bernstein wrote the text of the narration himself, but struggled with his own motivation for the aggressiveness of the text. In 2003, after talks with Bernstein shortly before his death, Holocaust survivor Samuel Pisar added a new narration about his personal experiences and how his family suffered and perished in the Holocaust, and his subsequent struggle with his belief. The Bernstein estate allows this version only to be used with Samuel Pisar as recitator.

The text begins with a narrator addressing "My Father" (i.e., God). He/she states that he/she wants to pray a kaddish. After the initial approach to the Father in prayer, a chorus sings his kaddish in Aramaic. At the end, the narrator repeats the final words of the prayer:

The speaker then questions why he would allow such disorder in mankind's lives, suggesting that surely he must have the power to change it.

The prayer escalates into a confrontation with the Father (who never replies in the symphony), and in a "certain respectful fury", accusing him of violating his promise with mankind. One of the more poignant texts from the symphony comes from this movement:

The speaker calms down, speaks softly and suggests that he comfort God. A soprano solo conveys a lullaby, intended to help the speaker rock God gently to sleep, after which the speaker will help God dream.

The scherzo is a fast-tempo dream sequence. God has fallen asleep and the narrator paints a dream. God is no longer in control and the narrator has full power to bring God on this journey through his own imagination. The speaker begins by painting what God has made:

The narrator then proceeds to show God that he is in control of this dream.

A burning bush and gushing rock refer to some of the miracles described in the Book of Exodus. The narrator next places a rainbow in the sky, in parallel to the story of Noah, when God placed a rainbow in the sky to institute a new covenant with man. In loud triumph and anger, the speaker declares:


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