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Olive Trees (Van Gogh series)

The Olive Trees
A painting of intense green gnarled old olive trees with distant rolling blue mountains behind under a light blue sky with a large fluffy white cloud in the center
Artist Vincent van Gogh
Year 1889
Catalogue F712 / JH1740
Medium Oil on canvas
Dimensions 92 cm × 72.5 cm (36.2 in × 28.5 in)
Location Museum of Modern Art, New York, NY

Vincent van Gogh painted at least 18 paintings of olive trees, mostly in Saint-Rémy-de-Provence in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and wheat fields.

One painting, Olive Trees in a Mountainous Landscape, was a complement to The Starry Night.

The olive tree paintings had special significance for van Gogh. A group in May 1889 represented life, the divine and the cycle of life while those from November 1889 arose out of his attempt to symbolize his feelings about Christ in Gethsemane. His paintings of olive pickers demonstrate the relationship between man and nature by depicting one of the cycles of life, harvesting or death. It is also an example of how individuals, through interaction with nature, can connect with the divine.

Van Gogh found respite and relief in interaction with nature. When the series of olive tree paintings was made in 1889 he was subject to illness and emotional turmoil, yet the paintings are among his finest works.

In May 1889, Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence. There he had access to an adjacent cell he used as his studio. He was initially confined to the immediate asylum grounds and painted (without the window bars) the world he saw from his room, such as ivy covered trees, lilacs, and irises in the garden. As he ventured outside of the asylum walls, he painted the wheat fields, olive groves, and cypress trees in the surrounding countryside, which he saw as "characteristic of Provence." Over the course of the year, he painted about 150 canvases.

The imposed regimen of asylum life gave van Gogh a hard-won stability: "I feel happier here with my work than I could be outside. By staying here a good long time, I shall have learned regular habits and in the long run the result will be more order in my life." While his time at Saint-Rémy forced him to manage his vices, such as coffee, alcohol, poor eating habits and periodic attempts to consume turpentine and paint, his stay was not ideal. He needed to obtain permission to leave the asylum grounds. The food was poor; he generally ate only bread and soup. His only apparent form of treatment were two-hour baths twice a week. During his year there, van Gogh had periodic attacks, possibly due to a form of epilepsy. By early 1890, when the attacks worsened, he concluded that his stay at the asylum was not helping him to recover, which led him to move to Auvers-sur-Oise just north of Paris in May 1890.


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