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Organisation (album)

Organisation
Orchestral Manoeuvres in the Dark Organisation album cover.jpg
Studio album by Orchestral Manoeuvres in the Dark
Released 24 October 1980 (1980-10-24)
Recorded 1980, Ridge Farm Studio, Rusper; Advision Studios, West End
Genre Synthpop, new wave
Length 40:05
Label Dindisc
Producer OMD and Mike Howlett
Orchestral Manoeuvres in the Dark chronology
Orchestral Manoeuvres in the Dark
(1980)Orchestral Manoeuvres in the Dark1980
Organisation
(1980)
Architecture & Morality
(1981)Architecture & Morality1981
Singles from Organisation
  1. "Enola Gay"
    Released: 26 September 1980
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Colin Larkin 4/5 stars
Pitchfork (6.2/10)
Q 4/5 stars

Organisation is the second album by Orchestral Manoeuvres in the Dark (OMD), released in 1980. "Enola Gay" was the only single taken from the record. Malcolm Holmes had played drums with OMD before, notably on "Julia's Song" which was featured on the band's debut album, and for Organisation he was recruited as a full-time member replacing the TEAC tape recorder affectionately named "Winston". "The More I See You" is a cover of a song written by Mack Gordon and Harry Warren in 1945, and popularised by Chris Montez in 1966. The record was remastered and re-released in 2003, with several bonus tracks.

Organisation has received generally favourable reviews. Porcupine Tree frontman Steven Wilson has hailed the record as the finest of OMD's career.

As with all OMD's early sleeve art, it was created by Peter Saville Associates and features a photograph by Richard Nutt of the cloud-covered peak of Marsco, in the Red Cuillin hills, overlooking Glen Sligachan on the Isle of Skye with Allt Dearg Mòr in the foreground. The album's title refers to the band Organisation, a precursor to Kraftwerk.

The album is notable for its melancholy tone. The band said that at the time they had been heavily influenced by Joy Division; this can be seen by the use of jarring drum sounds and moody songs on Organisation. Also notable is OMD's move away from pure Gary Numan-Kraftwerk-ian pop, embracing a grander sound, making an increasing use of acoustic instruments, and introducing sound collages. The group would continue to expand their sound this way on the next two albums Architecture & Morality and Dazzle Ships.


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