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Razorlight (album)

Razorlight
RazorlightSelftitled.jpg
Studio album by Razorlight
Released 17 July 2006
Studio British Grove Studios, Chiswick, West London
Genre Indie rock, post-punk revival
Length 34:57
Label Mercury, Vertigo
Producer Razorlight, Chris Thomas
Razorlight chronology
Up All Night
(2004)
Razorlight
(2006)
Slipway Fires
(2008)
Singles from Razorlight
  1. "In the Morning"
    Released: 3 July 2006
  2. "America"
    Released: 2 October 2006
  3. "Before I Fall to Pieces"
    Released: 18 December 2006
  4. "I Can't Stop This Feeling I've Got"
    Released: 19 March 2007
  5. "Hold On"
    Released: 9 July 2007
Professional ratings
Aggregate scores
Source Rating
Metacritic 60/100
Review scores
Source Rating
AllMusic 3.5/5 stars
The A.V. Club B
ARTISTdirect 3.5/5 stars
Drowned in Sound 5/10
MusicOMH 2/5 stars
NME 8/10
Pitchfork Media 2.8/10
PopMatters 3/10
Rolling Stone 2/5 stars
Stylus Magazine F

Razorlight is the self-titled second album by English indie rock band Razorlight. The album was released on 17 July 2006 in the United Kingdom and debuted at number 1 in the UK Albums Chart a week later (see 2006 in British music).

The band achieved their first and only number one hit from this album, with "America" peaking at the top of the UK Singles Chart in October 2006. The song also peaked at number 6 in Ireland, number 9 in the Netherlands, number 10 in New Zealand, number 17 in Austria, number 21 in Belgium, number 22 in France, number 29 in Switzerland and number 38 in Germany. "Before I Fall to Pieces" was a UK Top 20 hit too, as was "In the Morning". "Hold On" was a minor hit.

The album has a more mature sound than their debut, and received a mixed reception. Although it scored 8/10 in NME, it was nominated for the 'Worst Album' title at the 2007 NME Awards – award winner 'Rudebox by Robbie Williams also scored 8/10.

Razorlight received generally mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 60, based on 18 reviews.

Paul Stokes of NME gave high praise to the album's production and lyrics for being larger than life and containing sincere romantic tales that come after various parties, concluding that "It's [also] a record that sees Razorlight comfortably leap the "difficult second album" trap. Now that calls for a party." MacKenzie Wilson of AllMusic praised the band's collaboration with producer Chris Thomas of being able to craft different genres into a unique sound with sharp musicianship that helps set them apart from their contemporaries, saying that "They make honest indie rock for those looking for a solid, good song. There's no frills, no fancy production, just the purity of these songs." Doug Kamin of ARTISTdirect found the album's tight and polished sheen oft-putting and its latter tracks lacking replay value but praised the first four tracks for their strong production and energetic tone, concluding that "this is ultimately going to age very well for Razorlight as they become arena rock gods in the years to come."


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