Roadrunner (Australian music magazine)
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| Editor | Donald Robertson |
|---|---|
| Editor | Stuart Coupe |
| Editor | Allan Coop |
| Editor | Alex Ehlert |
| Editor | Bruce Milne |
| Staff writers | Giles Barrow |
| Photographer | Eric Algra |
| Categories | Australian music magazine |
| Frequency | Monthly |
| Format | Tabloid |
| Publisher | Donald Robertson |
| Founder | Stuart Coupe and Donald Robertson |
| Year founded | 1978 |
| First issue | March 1978 |
| Final issue — Number |
January 1983 48 |
| Country | Australia |
| Based in | Adelaide |
| Language | English |
| Website | http://roadrunnertwice.com.au/ |
Roadrunner was a monthly Australian music magazine based in Adelaide, South Australia. The magazine was founded by Stuart Coupe and Donald Robertson and forty-eight issues were published between March 1978 and January 1983.
The magazine was inspired by the punk rock/new wave movement of the mid 1970s and took its name from the Jonathan Richman song Roadrunner. In its first year (1978) Roadrunner was produced by an editorial collective that included Coupe, Robertson, Allan Coop, Alex Ehlert, Bruce Milne and Clinton Walker and was only distributed in South Australia. Robertson became editor and publisher and secured national distribution from issue 10 (February 1979). Issue 23 (February 1980) of the magazine forms part of the Festival Records collection at Sydney's Powerhouse Museum as an example of how rock music magazines helped to promote overseas recording artists.
In the first edition of the Australian Music Directory (1981-82), Miranda Brown commented that Roadrunner offered its readers, ‘the vitality that established papers often lack.’ She went on to say: 'The paper has a strong nationalistic bent and though its coverage of the English scene is extensive, most of the copy is written by Australians abroad or here. Roadrunner articles tend to be rough-edged and experimental, with a minimum of editorial intervention. The approach is personal and highly committed and the magazine was the first to treat Australian music as a force with its own history, geography and ideologies, although the other major rock papers quickly followed suit.’
In Dig—Australian Rock and Pop Music 1960-85 David Nichols says: ‘Adelaide’s Roadrunner was without doubt a quality publication. Edited and published by Donald Robertson—the survivor from its founding co-operative—the paper attracted a number of important and interesting writers from around the country who recognised it as a valuable forum. Roadrunner, whose cover price was similar to the imported magazines such as NME and Melody Maker, exhibited considerable bravery. It had no qualms about running a five-page exploration of (Mushroom Records’) Michael Gudinski’s business interests. It also gave invaluable early coverage to new Aboriginal groups such as No Fixed Address, even before they made the classic film Wrong Side Of The Road – indeed it put them on its cover. That all this was achieved from Australia’s smallest mainland state capital is testament to the talent and dedication of Robertson and his writers.’
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