Robert Craft

Robert Lawson Craft (October 20, 1923 – November 10, 2015) was an American conductor and writer. He is best known for his intimate working friendship with Igor Stravinsky, on which Craft drew in producing numerous recordings and books.

Craft was born in Kingston, New York to Raymond and Arpha Craft and studied music at the Juilliard School. He became particularly interested in early music and the music of Claudio Monteverdi, Carlo Gesualdo, and Heinrich Schütz, and in contemporary music by the composers of the Second Viennese School and others.

Craft met Stravinsky in 1948, and from then until the composer's death in 1971, Craft continued to work alongside Stravinsky in a variety of roles. A relationship that started out with Craft in a rather modest role eventually evolved into a full artistic partnership. Craft compiled the libretti for Stravinsky's The Flood and A Sermon, a Narrative and a Prayer, and lived with Igor and Vera Stravinsky in Hollywood and later in New York City. Craft remained close to the composer's widow until her death in 1982.

After Stravinsky's death, Craft continued to concertize and to write. His 2002 book, An Improbable Life, details his life before, during, and after his friendship with Stravinsky. The memoir elaborates on the impact that Igor Stravinsky had on his life.

Shortly after Stravinsky’s death, Craft married the composer’s longtime nurse, Rita Christiansen, though the marriage did not endure. His survivors include a son from that marriage, Alexander; a sister, Phyllis Crawford; his second wife, the former Alva Celauro Minoff, a singer and actress; two stepchildren, Edward Minoff and Melissa Minoff; and four grandchildren.

Craft died on November 10, 2015, at his home in Gulf Stream, Florida.

Craft collaborated with Stravinsky on a series of books that covered various musical and non-musical subjects: Conversations with Igor Stravinsky (1959); Memories and Commentaries (1960); Expositions and Developments (1962); Dialogues and a Diary (1963); Themes and Episodes (1967); Retrospectives and Conclusions (1969). They include transcribed conversations between the two men, interviews culled from various published sources, essays, diary entries, and the like, all with the professed aim of presenting Stravinsky's views on music and culture.

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