Sleep (band)
| Sleep | |
|---|---|
| Origin | San Jose, California, U.S. |
| Genres | |
| Years active | 1990–1998, 2009–present |
| Labels | London, Very Small, Earache, Southern Lord, Tee Pee, The Music Cartel |
| Associated acts | Om, High on Fire, Neurosis, Shrinebuilder, Asbestosdeath, The Sabians, Kalas |
| Website | www.weedian.com |
| Members |
Al Cisneros Matt Pike Jason Roeder |
| Past members |
Chris Hakius Justin Marler |
Sleep is an American heavy metal band from San Jose, California. Sleep earned critical and record label attention early in its career. Critic Eduardo Rivadavia describes them as "perhaps the ultimate stoner rock band" and notes they exerted a strong influence on heavy metal in the 1990s. However, conflict with its record company contributed to Sleep's breakup by the end of the decade. The band reformed in 2009, and has played sporadic live dates internationally since.
Sleep evolved in the early 1990s from the band Asbestosdeath, which was established by vocalist/bassist Al Cisneros, drummer Chris Hakius, and guitarist Tom Choi. Asbestosdeath expanded to a quartet with the introduction of Matt Pike on guitar, and recorded two singles - "Dejection" for Profane Existence and the self-released "Unclean". Choi departed, and would later found Operator Generator, It Is I, Noothgrush, and Las Vegas' Black Jetts. Asbestosdeath recruited Justin Marler as replacement and the band adopted the new name, Sleep.
Their debut album Volume One was released in 1991. Frequently compared to bands like Saint Vitus, Sleep soon gained a devoted fanbase within the developing doom metal scene. Marler quit the band soon after to take up life as a monk, leaving the band as a power trio for the recording of their Volume Two EP, which was released officially by Off The Disk Records in 1991.
The band's next album was sent to the independent label, Earache, as a demo. Recorded at Razors Edge studios in San Francisco, with Billy Anderson as engineer, the tape showcased Sleep's love of all things retro, from the blatant Black Sabbath/Blue Cheer influences, to their fixation with 1970's-style tube amplification. The label immediately signed the band and released the tape exactly as it was received.
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