Soon Over Babaluma
| Soon Over Babaluma | ||||
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| Studio album by Can | ||||
| Released | November 1974 | |||
| Recorded | August 1974 at Inner Space | |||
| Genre | Krautrock | |||
| Length | 38:56 | |||
| Label | United Artists, Spoon, Mute | |||
| Producer | Can | |||
| Can chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Encyclopedia of Popular Music | |
| Pitchfork | 8.9/10 |
| The Rolling Stone Album Guide | |
| The Village Voice | B− |
Soon Over Babaluma is the sixth studio album by the rock music group Can. This is the band's first album without a lead vocalist who does not play an instrument, following the departure of Damo Suzuki in 1973 during which he married his German girlfriend. The vocals are provided by guitarist Michael Karoli and keyboardist Irmin Schmidt. It is also their last album that was created using a two-track recorder.
It takes the ambient style of Future Days and pushes it even further at times, as on "Quantum Physics". The album also has its fair share of upbeat tracks, such as "Chain Reaction" and "Dizzy Dizzy".
American musician Dominique Leone reviewed Soon Over Babaluma for Pitchfork, writing that he "was constantly surprised at how clear everything sounded, as if the band had recorded all of this stuff in one fell swoop during an unbelievably inspired, marathon session. One of the great things about Can[, ... ,] was the attention to detail and realization that the effect of each tiny moment in the course of a song can affect the momentum of the entire piece. No small miracles here: even if it's sad to think these albums represent Can's last great gasp, none of their moments have ever sounded better". In his review for Allmusic, American music journalist Ned Raggett stated that "With Suzuki departed, vocal responsibilities were now split between Karoli and Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things", giving the album a rating of four stars out of five.Robert Christgau was less impressed in The Village Voice, comparing its "singularly European" music to a less interesting, less biting variation on Miles Davis' 1970s electric period: "It's never pompous, discernibly smart, playful, even goofy. If you give it your all you can make out a few shards of internal logic. But the light tone avoids texture, density, or pain. The jazzy pulse is innocent of swing, funk, or sex.". In The Rolling Stone Album Guide, Douglas Wolk said the album was "mellow and almost timid in places", with the exception of "Chain Reaction", deeming the song a precursor to 1990s techno.
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