The Menace
| The Menace | ||||
|---|---|---|---|---|
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| Studio album by Elastica | ||||
| Released | 3 April 2000 | |||
| Recorded | November 1996, September–October 1999, Bad Earth and Eastcote Studios, London | |||
| Genre | ||||
| Length | 38:39 | |||
| Label | Deceptive | |||
| Producer | Marc Waterman, Elastica, Alan Moulder, Bruce Lampcov | |||
| Elastica chronology | ||||
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| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 69/100 |
| Review scores | |
| Source | Rating |
| AllMusic |   |
| The Austin Chronicle | |
| Entertainment Weekly | C |
| Los Angeles Daily News | |
| Los Angeles Times | |
| NME | 6/10 |
| Rolling Stone | |
| Select | 3/5 |
| The Village Voice | A− |
| Wall of Sound | 80/100 |
The Menace is the second and final studio album by English alternative rock group Elastica, released via Deceptive Records in April 2000.
After the release of their eponymous debut record in 1995, the band started touring and in the process started partying ferociously and dabbling in drugs. The first attempt to record their second work was in France and Ireland at the end of 1996, but internal problems caused the departure of members (including vocalist/guitarist Donna Matthews and bassist Annie Holland) and the temporary dissolution of the group.
Leader Justine Frischmann, who had recently broken up with boyfriend Damon Albarn of Blur, started to work on Brian Eno-influenced mood music with flatmate Loz Hardy of Kingmaker, resulting on tracks like "Miami Nice" and "My Sex", which ended up on the album. Frischmann reconnected with Annie Holland in early 1999 and formed a new line-up of the band, including Justin Welch, keyboardist/vocalist Sharon Mew, formerly of Heave, guitarist Paul Jones (Linoleum's former member) and keyboardist Dave Bush, formerly of The Fall.
The band listened to previous recordings of the material and decided to re-do it all in the fall of 1999. Recording took only six weeks and cost around £10,000. Bush's ex-bandmate Mark E. Smith participated in the writing and recording process of two songs in the album, "How He Wrote Elastica Man" – (a play on the title of the Fall's 1980 single "How I Wrote Elastic Man"), and "KB". The album also features two early sessions with Donna Matthews ("Image Change" and "How He Wrote Elastica Man") and a Trio cover, "Da Da Da", featuring the keyboards of Damon Albarn, under the anagram alias Norman Balda.
In a 2013 interview, Frischmann would reveal her regrets over the album’s worth by claiming Elastica should’ve been a "one-album project."
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