Salvador Videgain Gómez
| Salvador Videgain | |
|---|---|
| Born |
Salvador Videgain Gómez May 7, 1842 Málaga, Spain |
| Died | January 3, 1906 (aged 63) |
| Nationality | Spanish |
| Occupation | Actor, director, manager, musician. |
| Years active | 1860–1906 |
| Spouse(s) | Antonia Garcia de Videgain (m. 1850–1924) |
| Children | Antonio (1869-1944), Salvador (1886-1957). |
Salvador Videgain Gómez (1845–1906) was a Spanish actor, singer, producer and composer.
Videgain married actress Antonia García de Videgain in 1868 and founded the family artistic Videgain the most lounger in the history of theathre in Europe. They had two children: Antonio Videgain (born 1869) and Salvador VidegainJr. (born February 26, 1886). His grand son was Antonio Videgain Reparaz (born 1992), and the descendant of Salvador jr Juan José Videgain bor (1975).
Videgain was born in Málaga in 1845. He is of Spanish, English, Irish and Basque ancestry. His family relocated often, as his father worked at different jobs along the Coast. He later transferred to Cadiz, where he began acting in dramas. Flores y abrojos was the beginning in Gibraltar. 1866 was a great year for him and his future wife. Its works from then on will stop being realized in the capitals of the south of Spain especially of the cities of Andalusia, Spain.
In the 1870s the famous titles included Abel y Cain, Tocar el violón, Un viaje de mil demonios, El ultimo figurin, Fausto, Dos leones, 4 sacristanes, El duende, El barberillo de Lavapiés, La catedral de Colonia, El triste Chactas, Frasquito Barbales, El fantasma de la aldea, De Herodes a Pilatos and La salsa de aniceta among others.
In the spring of 1880 came a tour of Portugal and Galicia which would be the season of his consecration as a prestigious artist. This year Videgain played the lead role in the comedy Entre dos tíos.The title was a commercial failure, but was appreciated by critics. He later appeared in Entre dos platos and Música clásica, his most successful play of the decade.Meterse en Honduras 1983. At this point, Videgain and wife were receiving 60% of all profits in their company. Videgain and Antonia, José Talavera and others worked on the provocative work Los bandos de villafrita, inspired by newspaper articles about politics in Spain. He also appeared in the period comedy Ganar el pleito (1884) about a private eye and his partner who get mixed up with trouble. In 1885 he appeared in Las grandes figuras political work of society in Spain with great thriump. El barbián de la Persia and El domingo Gordo, of Chapí (1886), El estudiante de Alcála about Don Quijote, Venir por lana, List of company alls in 1887, El año pasado por agua of Chueca and Valverde 1889.
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